Pick Me Up, Somerset House, London
Friday, 18th March 2011
In its second year - Somerset House once again plays host to some of the UK's finest and primarily emerging illustration and visual arts talent.
Last year I got into a mild spat with someone online - after declaring myself pretty underwhelmed by a fair chunk of the work exhibited. So it was with mixed expectations that I rocked up this time, already wording diplomatic, balanced arguments in my head to justify a lacklustre response. I was pleasantly surprised - and was pleased to be able to stop digging deep into my vocabulary for fence-sitting pleasantries.
The first display - a selection of 24 up-and-coming graphic artists - makes for an impressive and very filling first course. The strikingly graphic works of Kate Moross are a bold start then onto other highlights including my favourite work from the whole fair from Revenge Is Sweet. Their work pushes all my buttons in the right directions. Lovely stuff. Character based works from the talented Frenchman McBess and striking pieces from Jules Julien are next to impress.
Kate Moross
Revenge Is Sweet
McBess
Nobrow's hi-tech gear!
Halfway along this first floor - and in the same spot as last year - Nobrow hold court with their oasis of printed goodies. I picked up a copy of their latest Nobrow issue 5 (I think their best yet) and fought the urge to spend more money than I could afford before moving on.
Nobrow
Jules Julien
Occasionly there are artists and websites you see where the work on show is so desirable that you try not to look too often to avoid having quiet words with your bank manager. Jessica Hische is one of those artists. Okay - so it's typography - but it's so damn beautiful it deserves to be hung left right and centre. Her decorated alphabet pieces are stunning - and I want the whole lot. A pleasure to see her in the show.
Then onto MVM's impressive pieces - in their trademark chunky, heavy lined style followed by a childhood blast from the past in the way of ..er.. Fuzzy Felts! If Fuzzy Felts mean nothing to you - then think shapes cut out of felt - that then stick to each other via their "fuzziness". Takeru Toyokura's work is pretty much just that - with added use of card, paper and some pretty surreal, dark overtones. Interesting stuff.
Jessica Hische
MVM
Takeru Toyokura
Stefanie Posavec
Print Club crew in action.
Print Club
Puck - complete with hangover.
Evening Tweed


